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I've been here, I've been there // Honey, I been somehow everywhere
Neal isn't really sure what's going to happen when the Admiral sends them home. To his home. Where by now, somewhere in the world, Kate is alive and healthy. It's strange to think of her somewhere unknown and not feel the immediate need to go find her. To save, protect, avenge her. It's also strange that even knowing she's out there, even seeing proof, Neal can't shake the guilt of killing her, either. It feels like things should have shifted, that some monumental internal change should have taken place. He still feels the things he always had, but with new knowledge counter it.
It's all swirling in his brain when Norton meets him in his cabin. Still roiling there when Neal squeezes his hand and tells thin air that they're ready.
It snaps to background when, on his next blink, Neal and Norton find themselves in the conference room of the FBI's New York City White Collar division, and Neal is still holding Norton's hand. The door from the office floor swings open and admits a small flood of people in the forms of Peter, Diana, Jones, and... Mozzie?
All four of them stop dead, seeing Neal and a stranger at the far end of the room, plus whatever Norton chose to bring. Neal stares at all of them, bemused.
"I knew it! I told you." Mozzie says, pointing at Neal. He glares at Peter and company in triumph.
Peter's jaw works for a moment before he takes a deep breath, clearly trying to focus on being relieved instead of furious. "Neal. Who's your friend?"
It's all swirling in his brain when Norton meets him in his cabin. Still roiling there when Neal squeezes his hand and tells thin air that they're ready.
It snaps to background when, on his next blink, Neal and Norton find themselves in the conference room of the FBI's New York City White Collar division, and Neal is still holding Norton's hand. The door from the office floor swings open and admits a small flood of people in the forms of Peter, Diana, Jones, and... Mozzie?
All four of them stop dead, seeing Neal and a stranger at the far end of the room, plus whatever Norton chose to bring. Neal stares at all of them, bemused.
"I knew it! I told you." Mozzie says, pointing at Neal. He glares at Peter and company in triumph.
Peter's jaw works for a moment before he takes a deep breath, clearly trying to focus on being relieved instead of furious. "Neal. Who's your friend?"
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"Going out on a limb, but I don't think this is your flat," Norton whispers to Neal before he steps forward with his hand delicately outstretched.
"How do you do, I'm Norton Folgate. You must be Agent Burke. I've heard ever so much about you."
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“Friend of yours, Neal?” Peter sounds wary, but not outright accusing, which is nice.
Seeing him, Neal remembers their last conversation. The tension, the rage. He looks at Norton instead of Peter, giving him silent permission to answer the question however he feels comfortable.
“Yes. But I don’t like to speak for my friends when I don’t have to.”
Mozzie beelines for Neal and throws himself into a hug, which Neal accepts, slightly startled. “Mozzie, what the hell are you doing here?”
“Trying to convince these fascists that you didn’t run!”
“Cool it with the hyperbole,” Neal says, glancing at Norton again when Mozzie says fascists. He smiles to soften the reprimand. “But thanks.”
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"Close friend," he says with enough innuendo in his voice to invite speculation. "I'm sure it doesn't surprise you that Neal has friends around the world. I came here to help him with a sticky situation involving a former agent of ours."
Nothing Norton said was a lie, strictly speaking. Neal probably does have friends around the world, Norton did come to New York with Neal to help him, and he did work for British security services, sort of.
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Peter glances at Neal, sees him giving Norton that look over Mozzie's head, and frowns a little. "An agent of yours. So you're with the government? Do you have ID, contacts I can reach out to in order to verify?"
To Neal, he adds, "And what the hell happened with your ankle monitor?"
"Someone cut it off when they tried to kidnap me."
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He flicks his hand loosely in dismissal of the whole topic. "Anyhoo, it hardly matters to me whether you believe me or not. I came here to help Neal, not the FBI. He was the one who insisted we come here." He'll try to steer Burke to believing that Neal loyally returned when he could have fled. "I suppose you could have me deported if you really wanted to get in a snit about it, but that wouldn't do anyone any good."
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"Someone tried to kidnap you?"
"Someone who was standing in the back of Rebecca's helicopter when it flew off without her."
"Curiouser and curiouser." That comes from Mozzie, who is staring at Norton with the feverish delight of a conspiracy theorist being handed a batch of photos from Area 51.
"Look, Peter, I got grabbed, I got away, I met Norton, I came here."
"You couldn't have called and let us know where you were?"
"You think the kidnappers--there were five of them, by the way--let me keep my phone?"
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"We came here first thing so Neal could let you know what happened." Norton raises his suit-case slightly. "I haven't even had a change to drop off my luggage."
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"All right. Neal, we need a rundown of exactly what happened and anything you can give us on the guy who did it."
"And then I can let Norton unpack?" Neal is sliding back into the comfortable crossness he had the last time he and Peter spoke. Peter frowns.
"Yeah. Then Diana can escort you to let Norton unpack."
Neal makes an irritated noise at that, gives Norton a genuinely apologetic look, and lays out the afternoon's events as best he can remember, having been back to the Barge in-between.
They have to wait an extra half hour, almost, for a new anklet, but Neal is at least able to convince Peter that he doesn't need a direct chaperone during the elapsed time. When the marshals arrive, Neal watches the anklet go on with a resentment that makes his chest tight.
As soon as the two of them are in the elevator headed down--Neal convinced Mozzie to go home after Neal gave his statement--Neal grabs Norton's hand and gives it a squeeze. "Sorry about all that."
He glances at Norton with a wicked little smile. "Very well handled, though. I'm impressed."
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He suspects Neal never forgets it's there. He squeezes Neal's hand back and returns Neal's smile with a mischievous grin of his own.
"I did enjoy aggravating Agent Burke. Like teensy bit of revenge on your behalf."
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“Want to get a taxi to my place or walk? It’s only a few miles, but I’m not the one with a suitcase.”
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This is different. This is a real city. So just before the lift opens, Norton instinctively drops Neal's hand. He knows there's no risk of arrest, but he also knows there's still other sorts of risk. It's one thing to drop a bit of innuendo in front of the FBI agents. That was almost a form of power play. But out in the city there's no telling how strangers may react.
He brightens in excitement when Neal mentions a taxi, though.
"Are the taxis yellow, like in the films?" Norton's ridden in cabs plenty of times, but a London cab isn't a New York taxi.
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“All the good ones are.” He gives a little flourish of a gesture out of the elevator and toward the glass wall that couches the clear front doors. “After you. There’s nothing in the world like that first breath of real city air.”
He’s joking. He’s also not.
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Which is all for the best, because it means that when he steps outside he can properly see the New York skyline.
"Gosh," he whispers, gaping at it. "Look at the size. Puts Big Ben and St. Paul's to shame."
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It’s perfect.
Neal breathes in deep, his eyes lighting up, the tension from upstairs dropping away. New York, New York. A hell of a town.
“God I miss this city every time I leave.” He grins at Norton. “Wait until you see the Empire State Building.”
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He turns to face Neal and half raises his hand. He was going to rest his palm on Neal's chest, but stops himself just in time. This is still much too public.
"Neal, darling, I know people are trying to kidnap you and that's terrible important and we're in great danger, but can we find the time to go to a club while we're here? I'm aching to go to a proper club, with actual people around laughing and dancing and all the rest."
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“Absolutely. There are more than a few that also make sure the atmosphere stays friendly.”
He’s sure Norton knows what he means, since outright saying there are gay bars all over the city seems like it would spit on Norton’s caution. Neal flags a cab at the curb, the yellow checkered vehicle careening to a stop in front of them.
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"I really don't like that tracking thing when we know there's someone with bad intentions trying to find you. What if they intercept the signal?" He doesn't know much about how the anklet works, just deducing based on what he knows about things like radar and radio signals combined with his experience with alien technology. But if it gives away Neal's location, it's inherently a point of weakness when trying to hide from ne'er-do-wells.
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“It’s surprisingly secure. The technology is a lot more targeted than what… was available before.” At least he caught himself before he said anything about the 1950s. “Which isn’t to say it’s entirely outside the realm of possibility, but it’s a lot less likely than being physically followed or having someone track my phone.”
Still, Neal scowls down at his ankle. “At least I don’t have to foot the bill to wear it. A lot of those who opt for this instead of prison have to pay for the privilege on top of everything else. And the scar was finally starting to fade again on the Barge.”
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"I want to tear the thing off you and toss it under the wheels of the nearest bus." He can't do that, either, but it's probably a more acceptable fantasy than chess mastering a two-sided mass murder.
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He points out the window across Norton, not so much because there's something notable, but because he wants to draw Norton's attention away from the unpleasantness and back to the city itself. "Once we're another couple of blocks north you'll be able to see a peek of Madison Square Park."
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“There’s a lot that’s close, but Central Park is better.” Which is a good thing, he realizes abruptly. “Shit.”
He looks down at his ankle. “I forgot. With this thing on I’ve only got two square miles.”
How could he forget? There’s a surreality to it that makes him feel dizzy for a moment.
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It makes him ponder the sticky situation Neal is in. Even though he's graduated and not dead, he's not free if he comes home.
"What do you plan to do after...long term, I mean? What with your home being rather unwelcoming to you?"
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He breathes in deep, biting the corner of his lip. "That's what I thought I'd use my deal for. Not the one that Malcolm gave me. The one that, hopefully, I'll be able to get myself. Get free and clear of all of this, the FBI's control."
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"Can I get a smart phone while I'm here? I'd like to be able to send you electronic text messages." He may not understand emojis terribly well, but he'd have a fun time sending them to Neal from across the room of his flat anyway. And, if they have to split up, it would give him a way to stay in contact, or for Neal to contact him if an emergency should arise.
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The question, though, makes Neal grin. He loves Norton's fascination with technology, and the assiduously correct way he refers to it. "Absolutely. It's a matter of practicality if nothing else. Maybe we can ask the Admiral to keep them functional when we go home."
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Two ‘burners’ of an acceptable quality, anyway. Neal almost kisses Norton, almost moves to do it, but catches himself before he does more than lean in a little. This time when he points, it’s at the Flatiron building. “Madison Square Park is right across from that, it’s where they put the Christmas tree every year.”
He tries to spend the rest of the ride, short as it is, playing tour guide, pointing out the things that can be seen from their route and talking about the things that can’t. When they climb out of the cab at June’s house, Neal takes a moment to study the building and orient himself to where they are.
He tweaks one of the buttons on Norton’s jacket, a brief and subtle touch. “We can trust June. Not with time travel and aliens immediately, maybe, but with the important things.”
A little teasing, a little true.
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And best of all, from what Neal says, it's a proper home where they can be their proper selves (mostly). He grins.
"God bless understanding landladies."
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He draws in a deep breath and leads the way up to the front door, palming his key and letting them both inside when he gets there. It feels almost strange to do it, like he should still be knocking or ringing the bell to let June know he's back. Except for her, he was never gone.
"June?" He takes Norton's hand as soon as they're safely over the threshold and the door is closed behind them. "June, are you home?"
"Upstairs, dear," she calls, her voice slightly muffled by the distance.
Neal gives Norton's hand a squeeze. "Mind if I bring a guest up to introduce him?"
"Oh! Hang on, let me make myself presentable for company."
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"Feels almost as if I'm being introduced to the family. Never had that happen before," he murmurs to Neal. "Being a bit nervous about making a good first impression is part of the experience, right?"
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He almost says as much as I do, but catches himself. Just in case that would be too much. Just in case it would scare Norton off. Just in case.
He picks up the suitcase himself with his free hand as he hears June starting down the stairs, drawing Norton forward to meet her at their base. She’s dressed for an evening in, but flawlessly polished, right down to the present but understated touches of makeup and the little flashes of gold on her fingers and earlobes.
Neal lets go of Norton’s hand for a moment when she’s in reach, hugging her tight with one arm. “You look lovely as always, and I’m sure you did when we walked in, too. June Ellington, may I introduce Norton Folgate?”
He looks at Norton, gesturing him over. “We’re…”
It occurs to him that from June’s perspective Neal himself has barely had time to even process Rebecca’s betrayal, never mind find someone new.
“We met when I was abroad, and Norton is in the States to help me with some work for the FBI.” If Norton allows it, Neal will slip his arm around the other man’s waist. “He… We… were involved, and I’m very glad to say the change in scenery hasn’t changed any of our personal feelings.”
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So when Neal wraps an arm around his waist, he doesn't pull away or tense. Neal said she's family and that she's understanding, and Norton trusts Neal's judgement.
"Lovely to meet you, Mrs. Ellington. Neal speaks very fondly of you."
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She takes one of Norton's hands between both of her own and gives it a little squeeze. "I don't know if Neal has told you much of what he's been dealing with lately, and it's not my business to share if he hasn't, but I'm very, very glad he has someone close here on his side."
Neal smiles down at his feet, pleased and embarrassed at the same time. "He'll be with us for a little while, if that's all right? With me, upstairs."
June turns her attention to Neal, giving him a kiss and a pat on the cheek. "Absolutely."
She looks between the two of them. "If there's anything at all you need, Norton, please don't hesitate to ask."
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"I'll take good care of him."
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June gives Norton’s hand a little squeeze before letting go. “I’m glad to hear it. I won’t keep you, but I would love it if the three of us did breakfast tomorrow.”
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"Still recovering from the trip. Such a beastly flight." A twelve hour trip in 1955, with two refueling stops along the way, and it doesn't quite occur to him that it might have improved in the last sixty years. "It was worth it to be here now, but I have an absolute horror for aeroplanes and I'm completely knackered."
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He knows she has no idea that it's been a couple of months for him, but he can't resist hugging her one more time before they go upstairs. She returns the embrace warmly, though there's a little worry on her face when she lets go.
When they get to Neal's apartment, it's very, very much like his space on the Barge. Almost identical, in fact, except that the veranda isn't backed by a painted cityscape. It's backed by the real thing.
Neal gestures at the space as he closes and then locks the door behind them. "Welcome to the original. Accept no substitutions. Or forgeries."
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"Gosh, that view... You know, if it weren't for the leash and the kidnappers, I'd say you have a perfect home here. Of course, a leash and kidnappers are fairly significant drawbacks."
He turns away from the skyline and slides his arms around Neal's waist. "Thank you. For inviting me home with you. I'd offer to return the favour sometime...but it's probably not a good idea for me to return home, I think. And anyway, a slummy two-up-two-down doesn't make for nearly as nice a holiday as this. Is that a Château L'Angélus?" His attention is distracted by the wine collection.
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He goes over to select the bottle, holding it up. "Should I crack it open? This seems suitably worth celebrating. You and me, here."
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Neal pops the cork and pours them both a generous serving. "We should toast."
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Norton takes the wine glass and raises it. "What shall we toast to? The future? Freedom? I'm on a roll with words that begin with 'F,' so maybe throw in 'fortune' and 'flirtation' as suggestions too."
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short timeskip… lmk if you want to roll back!
He doesn’t draw attention to his word choice, but it’s intentional. Shy, and sideways, and ultimately deniable, but intentional.
When they go to sleep, Neal actually smiles a little as he drifts off. His cabin on the Barge is great, as close as it’s possible to be to the real thing, but it’s still different. The quality of the air, the smells that linger most prominently in his mind. Falling asleep in his apartment, his real apartment, with the man he would drink to that he hopes will drink to him, is a gift and a strange kind of joy.
He’s still very deeply asleep, curled around Norton, when the veranda doors open quietly in the middle of the night. A narrow-faced man in a leather jacket stands just inside the apartment, watching the two of them in bed. When he speaks it’s with an unapologetic Jersey drawl.
“You know, he only ever sleeps that deep when he trusts somebody. Really trusts them. I’m amazed he managed to keep you so quiet that I don’t even know who you are.”
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But since his pistol is somewhere scattered along with his clothes, he decides that the safest approach for now is to play harmless. He puts on an expression of wide-eyed nervous confusion and pulls the blanket up higher for modesty.
"Why would you know who I am? Are you a stalker? Oh my God, of course he has a stalker."
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“Norton? S’matter.”
“First name’s a start.”
Neal wakes up after that, very, very fast. He sits up, hand going to Norton’s shoulder both protectively and for support. He starts to ask who’s there but the words shrivel up half-way to being said.
“No,” is what he says instead. “That’s impossible. You’re in a Russian prison on the other side of the world.”
Keller saunters a little further in, going to open the fridge and give what’s inside a once-over. “Clearly I am not.”
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He doesn't get up from the bed yet, though. Keller hasn't killed them, so he must want something (although it's possible that "something" might just be some time to play with his prey before he murders them), but Neal knows him better than Norton does, so he'll follow Neal's lead.
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Keller snorts, drawing one of the beers that Neal keeps on hand for Peter out of the fridge and knocking the cap off with the edge of the kitchen table. "Plains, trains, and automobiles, sweetheart."
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"Funny, I didn't think Neal's veranda was a stop on the train line, petal. And there's definitely not a road through it."
He lets go of the blanket, kisses Neal's cheek (and adds in a wholly unnecessary caress over his chest), and then starts to move to slide out of the bed.
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“Did you send that guy after me?”
Keller raises an eyebrow, taking a pull from the beer as he keeps a peripheral eye on Norton. “Nah, Caffrey. You know I do my best work hands-on.”
That last part is said with a tiny smile and a wink at Norton.
Neal goes to Norton’s side, protective and defensive at once. “So why are you here?”
“I’ve got a proposition for you. The same proposition your friend with the panel van had, but I at least respect you enough to be up front about it.”
“This is up front, huh.” Neal mutters that, still all-too-clearly shaken. “Norton, may I introduce Matthew Keller, the end result when sentience is given to pond scum.”
Keller chuckles and takes another drink.
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"Can't say it's a pleasure to meet you. Sorry."
The information that Keller's involved, but not with the kidnapping attempt--assuming he's not lying--is interesting, however.
"Do you know the man who tried to kidnap Neal?" He can't set the kidnappers and the FBI against each other in mutual destruction, but if the kidnappers and Keller are on opposite sides...there might be possibilities there.
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This time Neal's the one who gets possessive. He steps slightly in front of Norton, scowling.
"Spit it out."
Keller sighs, pulling out a chair at the kitchen table and slumping comfortably into it. "The Pink Panthers."
Neal doesn't know if it means anything to Norton, but it clearly means something to him. "...What, he was kidnapping me as his audition? That's--"
"No, he was kidnapping you because he knew he wasn't good enough to pull off the audition without someone who knows what they're doing. He was gonna use you to get what he needed to impress, since you screwed up his plans to take Turner's diamond."
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Norton's never heard of the Pink Panthers, or anything like it, but he can follow the gist of it all the same. Some sort of gang initiation. "So he was trying to kidnap you to force you to help him cheat on his entrance exam?"
And Keller's words earlier, about having a proposition, the same proposition as the kidnapper, snap into place.
"And I'm guessing you want Neal to help you cheat on your exam too, only you'll conduct your business like a normal cheat and pay for the service, is that right?"
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That's when it clicks for Neal. "You want me to join them? You. Want me. To join a crew that you're on."
"There you go. You got there in the end." Another swig from the beer before he sets the half-empty bottle on the table. "Come on, boys. Come sit down, have a drink, Caffrey can make us some breakfast, we'll hash it out."
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"You've not mentioned why Neal should want to join your club in the first place."
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Keller watches them move through the apartment, eyes sharp and quietly predatory. “You been together a while? You move like you have been. Gotta say, I’m a little surprised, given that Rachel Turner’s not even cold in the ground.”
Neal stills in the middle of picking up Norton’s pants. “…What?”
“Oh, you didn’t hear? FBI brought her in this afternoon, maybe to ask about the guy who grabbed you. She committed very messy suicide by cop out front of the Federal Building. Sorry, honey. Figured your keeper would have told you.”
Neal puts a hand out to balance himself against the back of his couch.
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"You just can't help yourself, can you, sweetheart?" Showing off what he knows and Neal doesn't. Digging little knives into the conversation at every turn. "Are you always this bitchy or is this the international criminal equivalent of pulling on pigtails?"
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"He's always this bitchy."
"I prefer to think of myself as bluntly honest."
Neal closes his eyes a moment, trying to wrap his head around what Keller just dropped on him. Rebecca--Rachel--dead. No. He's not going to believe it without independent verification, he's not going to accept Keller's word without someone else telling him it's true.
He draws in a slow, deep breath, and turns toward Norton to allow himself the comfort of a close hug, even if the other man is only half-dressed. Neal doesn't care.
Keller stays silent for once, glowering a little as he takes another pull from his beer.
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"I'm sorry," he murmurs. "I know it was complicated."
He wonders if Keller brought it up just to hurt Neal or if there was some sort of strategic purpose to it. Or maybe he simply didn't care one way or another what the effect would be of dropping that doodlebug on Neal's metaphorical roof.
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I love you, he thinks, like if he thinks it loudly enough, Norton will know without him having to say.
“You done, or should I come back later?”
Neal loosens his hold on Norton, turning so he can have an arm around the other man’s waist when he answers Keller. “You’re more than welcome to leave and not come back.”
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And knowing how very bad Neal is at violence made Norton certain he needed to come along just in case violence was needed to protect Neal. Which, with Keller making an appearance, it seems increasingly likely that they'll reach that point sooner or later.
"You've extended your invitation for Neal to join the Pink Panther club, and he's not interested, so if there's nothing else you can go now. Shoo." He flicks his hand loosely at Keller in dismissal.
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He has the odd thought that he and Norton work well together, not just together, but actually working.
Neal hears the now-empty beer bottle clunk hard onto the table. He hears the chair scrape unnecessarily as Keller gets up, hears movement and the whisper of the veranda door being opened. Of course Keller can't actually leave without one more volley.
"I'll be in touch, Neal. Think about it. It's the Panthers. You love history so much, well. Be part of it. We need one more man, and you? You know you're one of the best."
The door closes harder than it needs to and Neal's shoulders sag a little in relief. He drops his forehead onto Norton's shoulder and exhales. "This was not a turn I expected tonight to take."
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"Bit of a crinkle in an otherwise perfect night." He says it before he thinks about it, but it really was a more perfect night than any he's had in a long time. His thoughts skitter nervously around that notion for a few seconds before settling on his usual modus operandi of just enjoying the moment.
"We shan't let Keller spoil it." He takes Neal's face in his hands to raise his head up so he can kiss him.
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God, he wants to do this. He wants to sink back into this, be warm and safe and wrapped up in someone who cares about him.
But there are people he cares about that need to know what's going on. He breaks the kiss, resting his forehead against Norton's. "I should call Peter. He needs to know that Keller is in the city. The last time he was here, he kidnapped Peter's wife."
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Which is might be good for them. Maybe dodging Burke will keep Keller busy enough that he won't have time to pester Neal. Although that's probably optimistic. From what Neal has told him about Keller, the man is good at multitasking.
"Tell me about the Pink Panther gang. Didn't want to ask while Keller was here."
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Oh. Right. “They’re less of a crew than a… reputation? No one actually knows who the members are at any given moment, and it changes from job to job. There are rumors about who runs it, but they’ve never been caught. All anyone really knows is that they’re responsible for some of the biggest and most audacious heists in recent historical memory. They’re supposed to be responsible for the theft of over half a billion US dollars worth of luxury goods over the past ten years. One criminologist working in pursuit called them artists of their craft.”
That makes him smile a little, wistful, and he can’t help wondering what it would be like to work with that kind of team. “But they’re not violent. They never have been. No one has ever been killed during one of their jobs.”
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So long as a person isn't stealing from him or stealing world-ending alien technology, he's not too fussed about it. Any judgement he might have about it is from a low-simmering resentment of exclusive clubs in general--largely because in his experience they don't let people like him join--rather than the thieving aspect.
"I can see the appeal of proving to your peers you're one of the best."
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But regardless— “It doesn’t really matter if I want to. I’ve got the anklet and too much to lose.”
But god there is a part of him that wants to, so badly, and he’s no good at hiding things like that in moments where it really matters. “They’re responsible for the biggest jewelry heist in Japan’s history. They stole almost two million British pounds in gems and precious metals and jewelry from a collection display in the middle of the afternoon. Use a rumor that you ran with them well enough and you’d never be short on work.”
He doesn’t mean to sound like so much of a fanboy. He really doesn’t.
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Neal says it doesn't matter if he wants it, but he clearly does, so now the trick is to find a way. If it ultimately also ruins Keller's plans, whatever they are, that's just gravy.
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There’s another moment then, a flicker of realization and hesitation. “…Helping the FBI catch the leadership of the Pink Panthers might even be a big enough feather to force a deal to cut the anklet for good.”
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It's his nature to manoeuvre towards advantages, see opportunities.
"Or would you rather stay with the FBI, but as a free man?" He can see the appeal of that stability as well.
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It still takes him a moment to say more, and it still feels like an admission. "I don't want to work with the FBI ever again once I'm free."
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It's what Norton would probably do. But he'll support Neal's career goals, whether that's working with the FBI (off the table now) or running a criminal empire of top-notch thieves. Or quieter ambitions, like a seaside villa and occasional cat burglary.
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"Keller and I used to play chess together." A pause. "He was better than me."
It's not something Neal would ever say to Peter, to pretty much anyone here, even Mozzie. Norton is safe to tell. It doesn't harm his reputation and he doesn't think it will make the man think less of him.
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He watches Neal work in the kitchen.
"I know you'll win this."
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Then he comes back to Norton and puts his arms around him, pulls him close, and kisses him. "I've got MI-5's finest as backup."