“She enjoys the suffering,” Malcolm clarifies, reaching for the file again. “If Neal gets close to her, he’s going to need me in his ear,” he informs Murdoch by way of equipment requisition requirements. “He’s seen sadism, but he doesn’t understand it,” he explains absently, flipping pages.
Murdoch nods at the clarification, then pauses at Malcolm’s request. “How would that help him?”
It’s a genuine question.
The file itself is detailed and unflattering.
Former MI5 agent under the orders of Special MI5 Agent Dax Hammon. Her father was a colonel in the US army and her mother was a British civilian. Traveling around the world, she worked for the MI5 under the alias of Bonnie Tolliver, Margaret Stephan or Dyla Fleece. She used her contacts in the terrorist cells to sell British secret information and MI5 discharged her for treason. As a freelance mercenary, she left Great Britain for the United States.
Numerous assassinations, torturous interrogations, arms deals, and prison breaks are listed as likely crimes.
“It will help him with what to say in order to get what we need from her. We want her to play into our hands, not us to play into hers by giving her Neal,” Malcolm explains, still perusing the file.
“That went fine. It’s the after that… didn’t as much.”
Neal paces the apartment, realizing absently that that’s probably the worst thing for him to do at the moment and unable to stop himself. “She wanted to make sure I had incentive to keep helping her. She tried to inject Mozzie with something.”
He hesitates to say the next part, because… well. It’s bad. “I got in the way.”
Malcolm takes the phone away from his ear and looks at Murdoch.
“I have to go. I’ll discuss your case with Neal and then we’ll call you. Don’t leave town,” he says calmly, but then bolts out of the cafe and down the street towards Neal’s apartment. With the phone back at his ear, he breathlessly asks “How long since the injection?”
“Thirty minutes or so. She said I wouldn’t start feeling it for about eight to twelve hours, and she gave me a pair of adrenaline shots to use when I did. She said she could keep it from becoming debilitating for about twenty-four hours.”
“And then what did she suggest you’re supposed to do?” Malcolm asks, bursting through June’s front door and running up the stairs. He tosses his phone on the table before Neal can answer. “Adrenaline suggests she gave you some sort of nervous system depressant. Eight to twelve hours? Okay. We have to get the anklet back on you. Sit down.”
Neal doesn’t sit down. Instead he goes to Malcolm, pulling him into a hug that’s as much for his own comfort as anything else. “I’m sorry. I wasn’t trying to let her stab me, I just couldn’t let her get to Mozzie.”
"The window is a decoder. Kind of. One of the panes, when you hold it up to the pages of the original codex, it reveals shapes. She's got Mozzie copying them over. I have to figure out what it's pointing to. Where it is."
“Okay. We have two things we have to do. We have to get you medical treatment without giving away why you need it and then we have to dovetail this into Murdoch’s interpol investigation.”
He takes the anklet off his own leg and carefully snaps it onto Neal’s.
“You were at the coffee shop and then you suddenly ran home. You’re going to call Peter now and tell him someone randomly attacked you with a needle outside the coffee shop and we need a blood workup to determine what you were injected with and how to treat it. Discreetly, because we don’t know who targeted you or why. Then we contact Murdoch, who is willing to request your transfer to interpol for this investigation. We tell him Rachel Turner contacted you after the needle attack and that she wants you to decode this window thing she has and that she doesn’t know we halted the progression of the poison her stooge gave you, which means we’re on a short deadline with her. Got it?” he asks.
Neal nods, though it takes him a moment to actually process what Malcolm just said. He takes a deep breath, pulling himself into the present by sheer force of will.
“All right. Okay. Wait— Murdoch wants me for Interpol?”
“He wants to catch Rachel Turner. I convinced him you’re a potential asset to the investigation and not already neck deep. That she was courting you as Rebecca, but not that we have yet found out any more than that. And I talked him into ruling out FBI involvement.” He stands up. “That all of this will culminate in an Interpol arrest that you assisted undercover and not something you did rogue to save Peter will help your position in gaining your freedom instead of hurting it.”
He hears Malcolm and half-absorbs what's said, noting the things he needs more context for as he pulls out his phone. "I'm going to call Peter and then I need you to catch me up on exactly what you and Detective Murdoch talked about."
Neal hits Peter's number, pauses, and kisses Malcolm like he might not have that many more chances. It’s impulsive and scared and desperate—of course it is—but it also sends a rush of lust and giddiness through him that feels entirely inappropriate to the situation.
He’s a little flushed when he draws back.
Okay, a lot flushed, and his skin is abnormally warm, and his pupils are a little dilated, but he’s not really cognizant of any of the above.
From his phone, Peter’s voice says, “Hello? Neal?”
Malcolm gasps faintly at the intensity of the kiss, and it takes him a moment to catch the voice through the line, then he points at it almost frantically.
Neal lifts the phone to his ear, an odd tingling starting through his fingertips. Every active point of contact. It’s small, but distracting. “Hey, Peter, I…”
The tingle is almost like a reverberation against itself. Neal takes in a deep breath to focus but even the slide of air into his lungs feels…
“Wow,” he mumbles absently. “—What? No, I’m fine. I mean no, I’m not fine, I’m… I got ambushed coming out of my coffee shop, injected with something.”
He feels like he’s breathing faster. But also like the world is slowing down. Neal locks onto Malcolm, the now-all-over tingling distracting him. “It was Rebecca. No, it does make sense, I promise.”
He would like to kiss Malcolm again though, so he’s gonna try and do that.
He closes his eyes, which weirdly makes every part of him feel acutely sensitive, like his entire body is trying to make up for the momentary loss of sight. A deep inhale, and with it comes a distracting wash of euphoria that makes him half forget what he’s doing.
“What?” He sounds giddy even to his own ears. “Wh—oh. No, no I didn’t mean she… I’m not sure what I meant. Listen, someone attacked me, we need a blood sample, I don’t know why they did it or what they did it. What they used. All I know is that I feel amazing.”
He opens his eyes again, and the additional stimulation is borderline overwhelming. He fixes on Malcolm, enjoying the sensation of breathing so much he almost misses what Peter says. “Wh—yeah, I don’t probably think I should go anywhere, probably. Malcolm was going to come over, I’ll see if he can keep me company until you get here. Yeah, I will. I do. Okay.”
He hangs up, stares at the phone a moment, then looks back at Malcolm. “I don’t know what she put in that thing but I…”
Another rush of giddiness, this one accompanied by a full-bodied euphoria that makes his eyelids flutter shut and makes him sway. It’s like a prolonged orgasm without the mess. “Oh,” he says faintly.
Neal feels Malcolm’s words. It’s like they travel through the air to impact gently against his chest, each one a delicious little surge of pleasure just because it’s Malcolm’s voice. The actual content of them almost doesn’t matter.
Still, he sits, sucking in a deep breath at the feeling of Malcolm’s warm hand against his warmer forehead. It’s the most bizarre sensation, that bit of pressure sending little ripples through him from top to toe. He feels almost deliriously good.
“Don’t know how she expects me to work like this,” Neal mumbles, makes an abortively amused little sound, then gasps again as another wash of whiteout ecstasy rolls through him.
“Kiss me?” He’s breathless as he says it. “Please kiss me.”
She couldn’t possibly expect him to work like this, but the injection was meant for Mozzie. She must understand its effects. If she wants whatever the window leads to, she stop the effects of the drug if she could. He has a bad feeling about this.
He holds a finger up for Neal to wait.
“Dr Whitly.”
“My boy!” he exclaims. “This is an unexpected delight.”
“If someone has been told that they’ll feel the effects of a drug in 8-12 hours, but that two shots of adrenaline could keep them going for up to 48 hours, what do you think that substance could be?”
“An interesting hypothetical; are we talking about a case?” Martin asks.
“Yes,” Malcolm tells him; it’s not really a lie.
“Who gave them the timeline and the adrenaline?”
“The person that injected them. It happened about 40 minutes ago.”
“Interesting. Are they experiencing any symptoms now?”
“Sounds like a combination of drugs,” Martin muses. “Sometimes, when you cut a long acting paralytic with a fast acting cocktail of party drugs you, uh, make the agony of the body shutting down one organ at a time all the more heightened and torturous.”
“The killer is a known sadist.”
“If you know who the killer is, why are you following the drugs?”
“I’m not; I want to know how to counteract them,” Malcolm snaps.
“Well, you need to know the exact composition you’re dealing with, son. You can’t just go shooting this poor idiot full of even more random substances.”
Malcolm’s response is a growl of frustration and he hangs up the phone just as Peter walks in.
“He’s delirious and disoriented,” Malcolm tells him urgently, not waiting for pleasantries. “We need someone who can come here and take blood samples, then a rush analysis to find an antidote. We can’t take him to a hospital. I’ve seen this sort of attack before. This method is employed by sadists and predatory psychopaths; whoever it is will want to see him suffer and we don’t know how they intend to watch their victims but the mostly likely bet is they have eyes on the hospitals.”
no subject
no subject
It’s a genuine question.
The file itself is detailed and unflattering.
Former MI5 agent under the orders of Special MI5 Agent Dax Hammon. Her father was a colonel in the US army and her mother was a British civilian. Traveling around the world, she worked for the MI5 under the alias of Bonnie Tolliver, Margaret Stephan or Dyla Fleece. She used her contacts in the terrorist cells to sell British secret information and MI5 discharged her for treason. As a freelance mercenary, she left Great Britain for the United States.
Numerous assassinations, torturous interrogations, arms deals, and prison breaks are listed as likely crimes.
no subject
no subject
Him, people… not always a winning combination.
Malcolm’s phone starts to ring. It’s Neal.
no subject
“Hey! Are you home?”
no subject
Neal does not sound happy. I’m fact he sounds tense and upset.
Murdoch perks up. “Is that Mr Caffrey?”
no subject
"How was the meeting? Is everything okay?"
no subject
Neal paces the apartment, realizing absently that that’s probably the worst thing for him to do at the moment and unable to stop himself. “She wanted to make sure I had incentive to keep helping her. She tried to inject Mozzie with something.”
He hesitates to say the next part, because… well. It’s bad. “I got in the way.”
no subject
“I have to go. I’ll discuss your case with Neal and then we’ll call you. Don’t leave town,” he says calmly, but then bolts out of the cafe and down the street towards Neal’s apartment. With the phone back at his ear, he breathlessly asks “How long since the injection?”
no subject
He’s trying to sound calmer than he feels.
no subject
He’s already pulling his bag out of the closet.
no subject
no subject
“I’m not mad, but we have to do something about this. Now. There’s no time.”
He crouches, working on getting the anklet off his own leg.
“Did she tell you something she wants you to do with your forty-eight hours? Has she given you a job?”
no subject
He keeps a hand in Malcolm's hair as he works.
no subject
He takes the anklet off his own leg and carefully snaps it onto Neal’s.
“You were at the coffee shop and then you suddenly ran home. You’re going to call Peter now and tell him someone randomly attacked you with a needle outside the coffee shop and we need a blood workup to determine what you were injected with and how to treat it. Discreetly, because we don’t know who targeted you or why. Then we contact Murdoch, who is willing to request your transfer to interpol for this investigation. We tell him Rachel Turner contacted you after the needle attack and that she wants you to decode this window thing she has and that she doesn’t know we halted the progression of the poison her stooge gave you, which means we’re on a short deadline with her. Got it?” he asks.
no subject
“All right. Okay. Wait— Murdoch wants me for Interpol?”
no subject
no subject
Neal hits Peter's number, pauses, and kisses Malcolm like he might not have that many more chances. It’s impulsive and scared and desperate—of course it is—but it also sends a rush of lust and giddiness through him that feels entirely inappropriate to the situation.
He’s a little flushed when he draws back.
Okay, a lot flushed, and his skin is abnormally warm, and his pupils are a little dilated, but he’s not really cognizant of any of the above.
From his phone, Peter’s voice says, “Hello? Neal?”
no subject
Answer him.
no subject
Right.
Neal lifts the phone to his ear, an odd tingling starting through his fingertips. Every active point of contact. It’s small, but distracting. “Hey, Peter, I…”
The tingle is almost like a reverberation against itself. Neal takes in a deep breath to focus but even the slide of air into his lungs feels…
“Wow,” he mumbles absently. “—What? No, I’m fine. I mean no, I’m not fine, I’m… I got ambushed coming out of my coffee shop, injected with something.”
He feels like he’s breathing faster. But also like the world is slowing down. Neal locks onto Malcolm, the now-all-over tingling distracting him. “It was Rebecca. No, it does make sense, I promise.”
He would like to kiss Malcolm again though, so he’s gonna try and do that.
no subject
Neal leans in to kiss him; he looks confused and points at the phone.
no subject
He closes his eyes, which weirdly makes every part of him feel acutely sensitive, like his entire body is trying to make up for the momentary loss of sight. A deep inhale, and with it comes a distracting wash of euphoria that makes him half forget what he’s doing.
“What?” He sounds giddy even to his own ears. “Wh—oh. No, no I didn’t mean she… I’m not sure what I meant. Listen, someone attacked me, we need a blood sample, I don’t know why they did it or what they did it. What they used. All I know is that I feel amazing.”
He opens his eyes again, and the additional stimulation is borderline overwhelming. He fixes on Malcolm, enjoying the sensation of breathing so much he almost misses what Peter says. “Wh—yeah, I don’t probably think I should go anywhere, probably. Malcolm was going to come over, I’ll see if he can keep me company until you get here. Yeah, I will. I do. Okay.”
He hangs up, stares at the phone a moment, then looks back at Malcolm. “I don’t know what she put in that thing but I…”
Another rush of giddiness, this one accompanied by a full-bodied euphoria that makes his eyelids flutter shut and makes him sway. It’s like a prolonged orgasm without the mess. “Oh,” he says faintly.
no subject
“Dr Whitly, please. It’s his son. Yes, I’ll hold.”
no subject
Still, he sits, sucking in a deep breath at the feeling of Malcolm’s warm hand against his warmer forehead. It’s the most bizarre sensation, that bit of pressure sending little ripples through him from top to toe. He feels almost deliriously good.
“Don’t know how she expects me to work like this,” Neal mumbles, makes an abortively amused little sound, then gasps again as another wash of whiteout ecstasy rolls through him.
“Kiss me?” He’s breathless as he says it. “Please kiss me.”
no subject
He holds a finger up for Neal to wait.
“Dr Whitly.”
“My boy!” he exclaims. “This is an unexpected delight.”
“If someone has been told that they’ll feel the effects of a drug in 8-12 hours, but that two shots of adrenaline could keep them going for up to 48 hours, what do you think that substance could be?”
“An interesting hypothetical; are we talking about a case?” Martin asks.
“Yes,” Malcolm tells him; it’s not really a lie.
“Who gave them the timeline and the adrenaline?”
“The person that injected them. It happened about 40 minutes ago.”
“Interesting. Are they experiencing any symptoms now?”
Malcolm watches Neal. “Euphoria. Flop sweat. Brain fog. Hypersensitivity.”
“Sounds like a combination of drugs,” Martin muses. “Sometimes, when you cut a long acting paralytic with a fast acting cocktail of party drugs you, uh, make the agony of the body shutting down one organ at a time all the more heightened and torturous.”
“The killer is a known sadist.”
“If you know who the killer is, why are you following the drugs?”
“I’m not; I want to know how to counteract them,” Malcolm snaps.
“Well, you need to know the exact composition you’re dealing with, son. You can’t just go shooting this poor idiot full of even more random substances.”
Malcolm’s response is a growl of frustration and he hangs up the phone just as Peter walks in.
“He’s delirious and disoriented,” Malcolm tells him urgently, not waiting for pleasantries. “We need someone who can come here and take blood samples, then a rush analysis to find an antidote. We can’t take him to a hospital. I’ve seen this sort of attack before. This method is employed by sadists and predatory psychopaths; whoever it is will want to see him suffer and we don’t know how they intend to watch their victims but the mostly likely bet is they have eyes on the hospitals.”
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...