“I’ve never been a big fan of travel. My… sleep problems are… disruptive in most hotels or resorts. I don’t do well socially in new groups of people.” He shrugs a little uncomfortably. “This has honestly been the first trip that wasn’t for work that I’ve truly enjoyed.”
Neal smiles a little, somewhat ironic, somewhat sad. "Well, we'll have to change that. Rent a chateau or a cabin instead of a hotel room, wherever we decide to go."
"I've heard you can rent a whole island," Malcolm says, almost blurting it out, like he can't help it. Like maybe it occurred to him when he was forced to a tropical beach.
Malcolm looks almost embarrassed but shrugs it off.
"My mother keeps threatening to take it away, but she's bluffing. She feels too much guilt over what my father did to me - even though she shouldn't," he quickly adds, "but, at any rate, she can't intentionally do something she knows would be harmful to me in any way. So. Yeah. Island money."
"Yes and yes." He looks off into space for a moment, a dreamy little smile on his face. "France would be good, too. I haven't been to France in a long time."
His focus returns to Malcolm and he touches the other man's cheek. "European tour," he says, his tone soft.
His phone goes off then, a ringtone that Malcolm will never have heard before, and Neal frowns. He lets go of Malcolm and digs the phone out of his pocket hastily, almost drops it answering. "Ellen? Is--are you okay?"
It's not a name Neal has said before, either. Not to this Malcolm, not in this world.
He relaxes at the answer, taking Malcolm's hand with his free one. Then he tenses again. "The marshals are moving you? When?"
He listens in silence for a little while, then shakes his head, apparently oblivious to the fact that the person on the other end of the line can't see him.
"No, I'm upstate." He glances at Malcolm, smiles a little. "Yeah, with him. I can be back in a few hours though--okay, but--"
He bites his lip and goes quiet, then nods, then exhales softly. "Okay. I will. I promise. Call me if anything changes."
Another moment of silent listening before he mumbles, "I love you too."
After a second it's clear the other person has hung up. Neal is slower to do the same.
Neal makes a brokenly amused noise. "No. Yes. Not exactly. That... was my Aunt Ellen."
He doesn't say more until they're back in their room and he has a generous glass of wine.
Then, haltingly, he explains to Malcolm who Ellen is. Who she was. Who she's stayed, even when he was half-way around the world and the marshals didn't know he knew where she was.
Neal bites his lip, then drinks more wine than he should. Too fast to enjoy it, too fast to even really taste it.
“It’s my fault. She was safeguarding something for me. The painting that Kramer almost found. I… When I went to Roosevelt Island, before the commutation, when I asked you to get Peter to extend my radius for that afternoon… I went to see her. To get the painting. It’s my fault.”
Neal gives Malcolm a tentatively hopeful look. It's easily as worried as it is hopeful. "Maybe. Yeah. I... You won't get in trouble, doing something like that?"
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"I haven't been to LA in a long time. ...Or Canada, but I've had less reason to go there."
He turns to rest his hands on Malcolm's hips. "Where do you want to go?"
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"My mother keeps threatening to take it away, but she's bluffing. She feels too much guilt over what my father did to me - even though she shouldn't," he quickly adds, "but, at any rate, she can't intentionally do something she knows would be harmful to me in any way. So. Yeah. Island money."
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“Are islands nice there? Do you know the good places to get one?”
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His focus returns to Malcolm and he touches the other man's cheek. "European tour," he says, his tone soft.
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His phone goes off then, a ringtone that Malcolm will never have heard before, and Neal frowns. He lets go of Malcolm and digs the phone out of his pocket hastily, almost drops it answering. "Ellen? Is--are you okay?"
It's not a name Neal has said before, either. Not to this Malcolm, not in this world.
He relaxes at the answer, taking Malcolm's hand with his free one. Then he tenses again. "The marshals are moving you? When?"
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"No, I'm upstate." He glances at Malcolm, smiles a little. "Yeah, with him. I can be back in a few hours though--okay, but--"
He bites his lip and goes quiet, then nods, then exhales softly. "Okay. I will. I promise. Call me if anything changes."
Another moment of silent listening before he mumbles, "I love you too."
After a second it's clear the other person has hung up. Neal is slower to do the same.
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"There's something else I need to tell you. Not about that other place. About when I was a kid, in WITSEC."
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"Was... was that your mom?"
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He doesn't say more until they're back in their room and he has a generous glass of wine.
Then, haltingly, he explains to Malcolm who Ellen is. Who she was. Who she's stayed, even when he was half-way around the world and the marshals didn't know he knew where she was.
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“It’s my fault. She was safeguarding something for me. The painting that Kramer almost found. I… When I went to Roosevelt Island, before the commutation, when I asked you to get Peter to extend my radius for that afternoon… I went to see her. To get the painting. It’s my fault.”
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“…Your fault how?”
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Somehow that's even more worrying.
"If it wasn't me then... she's at risk somehow. In a more direct way."
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