Malcolm sees the image taking shape, but he doesn’t say anything. He doesn’t want to break the spell. He doesn’t even notice he’s practically holding his breath.
There's something off in the way Neal stares into nothingness while he works. Like someone who's looked at a thing for so long that it's lost meaning, or who's seeing something that isn't--shouldn't--be there.
There's something even more off about the way the drawing seems to move under his pencil, lines following the stroke of the lead, growing beyond what he draws.
Malcolm frowns faintly, takes a step towards him, then stops. He's not sure he should interfere. Won't it help them to know as much as they can about what they're dealing with?
Neal's strokes get broader. The flames on the page stretch upward in black and white, tiny figures on the town's streets smudged out. Neal still doesn't look like he's seeing what he's drawing. But he's breathing harder.
Abruptly, he looks up, meeting Malcolm's concerned gaze. Even odds as to whether his sclera really are black all the way through or if it's a trick of the mind, Malcolm's or the Shadow Man's. Neal lifts the pencil away from the paper and makes to jam the length of it through his left eye.
Malcolm looks at him, tilting his head, as he looks up, but when he turns the pencil on himself, Malcolm lunges at him and pushes it away from his eye before jerking it out of his hand.
Neal blinks back into reality, staring at Malcolm and his panic with confusion. He feels groggy. Like he's dozed off sitting up.
When he looks down at his notebook, it's not a picture of Mathias--it's the mountains, or at least an impression of them, practically obscured by senseless scribbling.
"Did... I fall asleep?" He sounds as muzzy and confused as he feels.
"Sort of," Malcolm says. "More like a trance." He studies Neal's face, brushing his cheek with his thumb. "This thing that you were talking about... did you ever see it possess a person?"
"I don't think so," he murmurs. God, he's tired. Tired enough that he hasn't put together how drained he is and why Malcolm would ask something like that.
"No. Nothing," he confirms, perching on the edge of the bed. "You were just... really... focused. And your picture... it didn't look like scribbles while you were doing it. It looked like a town on fire."
"It rebuilt itself. It seemed to reset, almost, like it was stuck in that moment, or right before it. We'd go to sleep and when we woke up everything was pristine again."
“Drowning was still worse,” he says, trying for irony, but the small smile and crooked tone don’t take the memories away. Neal shakes his head and gets up, slipping his arms around Malcolm, fitting himself against the smaller man like a person hanging on to a teddy bear.
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There's something even more off about the way the drawing seems to move under his pencil, lines following the stroke of the lead, growing beyond what he draws.
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Abruptly, he looks up, meeting Malcolm's concerned gaze. Even odds as to whether his sclera really are black all the way through or if it's a trick of the mind, Malcolm's or the Shadow Man's. Neal lifts the pencil away from the paper and makes to jam the length of it through his left eye.
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"Neal!"
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When he looks down at his notebook, it's not a picture of Mathias--it's the mountains, or at least an impression of them, practically obscured by senseless scribbling.
"Did... I fall asleep?" He sounds as muzzy and confused as he feels.
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"Maybe we should order room service tonight," he suggests. "Are you hungry?"
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Neal looks at the scribbles on the page again. “I clearly don’t draw very well in a trance.”
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When Malcolm is off the phone: "Did I say anything while I was in the trance?"
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"No. Nothing," he confirms, perching on the edge of the bed. "You were just... really... focused. And your picture... it didn't look like scribbles while you were doing it. It looked like a town on fire."
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He sets the sketchbook aside and rubs his eyes.
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"Lots of people did." A pause, then, very quietly, "It's one of the ways I died."
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"That's..." He has no words for what that is. He can't fathom it. The mind isn't meant to fathom it.
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"I'm sorry you have to know that," he says.
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After a moment he says, “Let’s explore. After we eat. Clear our heads.”
He’s not sure Malcolm’s needs clearing, but his definitely does.
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“I like exploring. I bet you know how to find secret passageways and buried treasures,” he says with an enamoured smile.
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