Malcolm smiles at the carpet, then looks at Neal. "Okay."
He goes to the dresser and changes his trackpants for sweatpants and picks out a t-shirt he hasn't sweated through. Then he grabs one of his books and pulls the big arm chair back in front of the window from where he'd shoved it that morning for yoga, curling up in it.
Neal busies himself doing little nonsense things until Malcolm is genuinely involved in his book. Then he goes to get the smaller sketchbook he bought, not wanting to look at the picture of Mathias from yesterday without Malcolm there with him, so to speak.
He settles in his own chair, pencils arrayed at his side, and picks up the lightest to start tracing light shapes onto the page.
Neal blinks out of his own hyperfocused space, giving Malcolm a confused look for a moment before the words register. Then he smiles. "You're doing fine. You don't have to do anything in particular, really."
He looks down at his sketchbook, the faint etchings of Malcolm's surroundings, the action lines shaping his body. For some reason he's drawn in more of details of the room around Malcolm than Malcolm himself yet.
He takes a deep breath, pushing the squeeze of anxiety he can't explain down before focusing on Malcolm again. "Are you uncomfortable? Do you want a break?"
Neal nods, looking at the drawing more than at Malcolm. He can feel his hand starting to tremble. What’s wrong with him? Why can’t he do this? It doesn’t have to be some grand statement piece, as though he’d know how to make an original one if he tried. That’s not who he is. He’s a forger. A mimic.
Neal gets up abruptly, setting sketchbook and pencil down on the chair. “Lunch sounds good actually.”
It doesn’t, and he pauses, because a lie is a lie.
He comes over to Malcolm, touching him lightly on the knee, the arm. Little butterfly grazes that Neal is afraid will pass right through him. His hand is shaking properly now, and he quickly clenches it and closes his eyes. “I don’t know what it is. It’s stupid.”
"You had a thought in your head," Malcolm says, setting his book aside and pushing himself out of the chair. "You were working on the drawing. What do you think about when you're drawing?"
He makes an aggravated noise, though the aggravation isn't at Malcolm. "I don't..."
Neal stops himself. Tries to think it through. "I wasn't drawing you. I was drawing everything around you, but not you. And I wanted to know what was wrong with me. Why I couldn't just do it."
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Well, the second part. It’s very unlikely he’d come here without him.
“I’d probably be reading? I brought some books…”
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"You just want me to read? In the sweatpants I would be wearing if I weren't trying to impress you?" he teases.
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“Exactly that,” he says, more serious. He brushes his hands back through Malcolm’s hair. “I want to draw you.”
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He goes to the dresser and changes his trackpants for sweatpants and picks out a t-shirt he hasn't sweated through. Then he grabs one of his books and pulls the big arm chair back in front of the window from where he'd shoved it that morning for yoga, curling up in it.
"Like this?" he asks, looking over.
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He settles in his own chair, pencils arrayed at his side, and picks up the lightest to start tracing light shapes onto the page.
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"Am I still doing it right?"
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He looks down at his sketchbook, the faint etchings of Malcolm's surroundings, the action lines shaping his body. For some reason he's drawn in more of details of the room around Malcolm than Malcolm himself yet.
He takes a deep breath, pushing the squeeze of anxiety he can't explain down before focusing on Malcolm again. "Are you uncomfortable? Do you want a break?"
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“No. I’m fine here. When you want lunch, there’s fruit and croissants left.”
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Neal gets up abruptly, setting sketchbook and pencil down on the chair. “Lunch sounds good actually.”
It doesn’t, and he pauses, because a lie is a lie.
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"No it doesn't," he notes from his face. "What's wrong?" He bites his lip. "Did I mess it up by saying something?"
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He comes over to Malcolm, touching him lightly on the knee, the arm. Little butterfly grazes that Neal is afraid will pass right through him. His hand is shaking properly now, and he quickly clenches it and closes his eyes. “I don’t know what it is. It’s stupid.”
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"It's not stupid. What were you thinking about when that started?" he asks curiously.
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Neal stops himself. Tries to think it through. "I wasn't drawing you. I was drawing everything around you, but not you. And I wanted to know what was wrong with me. Why I couldn't just do it."
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They’ll figure it out.
“Is it because that wasn’t really me?”
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